Wednesday, April 25, 2012

Sailor Moon Introduction




The first cover of the Sailor Moon manga as published by Kodansha on July 6, 1992 in Japan. Title translates to Pretty Soldier Sailor Moon.
美少女戦士セーラームーン
(Bishōjo Senshi Sērā Mūn)

SMVolume1.jpg
The first cover of the Sailor Moon manga as published byKodansha on July 6, 1992 in Japan. Title translates toPretty Soldier Sailor Moon.

Sailor Moon logo used on the first two seasons of the English dub and other foreign versions, of the anime.




Manga
Written by        Naoko Takeuchi
Published by   Kodansha
English publisher        Canada, United States: Kodansha Comics USA
Demographic  Shōjo
Magazine         Nakayoshi, Run Run
English magazine       Mixxzine, Smile
Original run     1991 – April 1997
Volumes          18 (List of volumes)
TV anime
Directed by      Junichi Sato
Written by        Sukehiro Tomita
Music by          Takanori Arisawa
Studio  Toei Animation
Network           TV Asahi
English network         
Australia: ABC, Seven Network, Network Ten, Fox Kids
Canada: YTV, Global
Ireland: Fox Kids
New Zealand: TV2
United Kingdom: Fox Kids, ITV
United States: USA Network, Cartoon Network, Syndication
Original run     March 7, 1992 – February 27, 1993
Episodes         46 (List of episodes)
TV anime
Sailor Moon R
Directed by      Kunihiko Ikuhara
Written by        Sukehiro Tomita
Music by          Takanori Arisawa
Studio  Toei Animation
Network           TV Asahi
English network         
Australia: ABC, Seven Network, Network Ten, Fox Kids
Canada: YTV, Global
Ireland: Fox Kids
New Zealand: TV2
United Kingdom: Fox Kids, ITV
United States: USA Network, Cartoon Network, Syndication
Original run     March 6, 1993 – March 12, 1994
Episodes         43 (List of episodes)
TV anime
Sailor Moon S
Directed by      Kunihiko Ikuhara
Written by        Yoji Enokido
Music by          Takanori Arisawa
Studio  Toei Animation
Network           TV Asahi
English network         
Australia: Fox Kids
Canada: YTV
New Zealand: TV2
United States: Cartoon Network
Original run     March 19, 1994 – February 25, 1995
Episodes         38 (List of episodes)
TV anime
Sailor Moon SuperS
Directed by      Kunihiko Ikuhara
Written by        Yoji Enokido
Music by          Takanori Arisawa
Studio  Toei Animation
Network           TV Asahi
English network         
Australia: Fox Kids
Canada: YTV
New Zealand: TV2
United States: Cartoon Network
Original run     March 4, 1995 – March 2, 1996
Episodes         39 (List of episodes)
TV anime
Sailor Stars
Directed by      Takuya Igarashi
Written by        Ryota Yamaguchi
Music by          Takanori Arisawa
Studio  Toei Animation
Network           TV Asahi
Original run     March 9, 1996 – February 8, 1997
Episodes         34 (List of episodes)
Films
Sailor Moon R: The Movie
Sailor Moon S: The Movie
Sailor Moon SuperS: The Movie
Stage musical series
Sailor Moon musicals (SeraMyu): 25 stage shows based on the Sailor Moon franchise were released between 1993 and 2005.
Live-action series
Pretty Guardian Sailor Moon: a 49 episode live action series directed by Ryuta Tasaki ran from October 4, 2003, to September 25, 2004. There were also two direct-to-video releases: a sequel (Special Act), and a prequel (Act Zero).
Video games
Sailor Moon (Angel) 1993
Sailor Moon R (Bandai) 1993
Bishoujo Senshi Sailor Moon S - Jougai Rantou!? Shuyaku Soudatsusen (Angel) 1994
Bishoujo Senshi Sailor Moon S (Bandai) 1995
Pretty Soldier Sailor Moon (Gazelle/Banpresto) 1995
Pretty Soldier Sailor Moon: Another Story (Angel) 1995
Bishoujo Senshi Sailor Moon SuperS - Zenin Sanka!! Shuyaku Soudatsusen (Super Famicom) 1996
Sailor Moon SuperS Shin Shuyaku Soudatsusen (PlayStation/Sega Saturn) 1996
Quiz Bishoujo Senshi Sailor Moon (Gazelle/Banpresto) 1997
Related series
Codename: Sailor V
Anime and Manga Portal
Sailor Moon, known in Japan as Bishōjo Senshi Sailor Moon (美少女戦士セーラームーン Bishōjo Senshi Sērā Mūn?, officially translated "Pretty Soldier Sailormoon"[1] or "Pretty Guardian Sailor Moon"[2]), is a media franchise created by manga artist Naoko Takeuchi. Fred Patten credits Takeuchi with popularizing the concept of a team of magical girls,[3][4] and Paul Gravett credits the series with "revitalizing" the magical-girl genre itself.[5] Sailor Moon redefined the magical-girl genre, as previous magical girls did not use their powers to fight evil, but this has become one of the standard archetypes of the genre.[6]
The story of the various metaseries revolves around the reborn defenders of a kingdom that once spanned the Solar System, and around the evil forces that they battle. The major characters — the Sailor Senshi (literally "Sailor Soldiers"; frequently called "Sailor Scouts" or "Guardians" in many Western versions), teenage girls — can transform into heroines named for the Moon and planets. The use of "Sailor" comes from a style of girls' school uniform popular in Japan, the sērā fuku ("Sailor outfit"), on which Takeuchi modeled the Sailor Senshi's uniforms. The elements of fantasy in the series are heavily symbolic and often based on mythology.
Before the Sailor Moon manga appeared, Takeuchi had written Codename: Sailor V, which centered around just one Sailor Senshi. She devised the idea when she wanted to create a cute series about girls in outer space, and her editor suggested she should put them in sailor fuku.[7] When Sailor V was proposed[by whom?] for adaptation into an anime, the concept was modified by Takeuchi so that Sailor V herself became only one member of a team. The resulting manga series merged elements of the popular magical girl genre and the Super Sentai Series which Takeuchi admired,[8] making Sailor Moon one of the first series ever to combine the two.
The manga resulted in spinoffs into other types of media, including a highly popular anime, as well as musical theatre productions, video games, and a tokusatsu series. Although most concepts in the many versions overlap, often notable differences occur, and thus continuity between the different formats remains limited.






The first season DVD box set, released in North America in 2003 by ADV Films.  
The 200 episodes of the Japanese anime seriesSailor Moon were adapted from the eighteen volume manga series of the same name written and illustrated by Naoko Takeuchi. The episodes were directed by Junichi Sato, Kunihiko Ikuhara,Takuya Igarashi, Takao Yoshizawa and Hiromichi Matano, and produced by TV Asahi and Toei Animation.The first four seasons were dubbedand released in North America by DIC Entertainment and Cloverway. The series concentrates on the adventures of Usagi Tsukino, a schoolgirl who learns that she and several other girls can transform into superheroines, Sailor Senshi, and fight against evil forces that threaten the world.
The series aired from March 7, 1992, to February 8, 1997, on TV Asahi in Japan. In North America, the episodes aired from September 11, 1995, to December 21, 2000, on YTV in Canada, and in first-run syndication (and later on Cartoon Network) in the United States. In addition to the two hundred episodes, three feature-length films were produced, as well as five short films. The fifth season, Sailor Stars, has not been licensed for release in English. As of May 2004, the series has officially been taken off the air in all English-speaking countries due to lapsed licenses which have not been renewed; this news was met with great controversy among English-speaking fans.
The first two seasons of the series, Sailor Moon and Sailor Moon R, were sold across 20 VHS volumes in Japan in 1995, and by the end of that year, each volume had sold more than 300,000 copies.In 2001, ADV Films released the English dubs of the first two seasons to 20 VHS volumes.The two first English language seasons were released on 14 Region 1 DVDs in 2002 by ADV.ADV also released subtitled and uncut versions of the first two seasons in two separate Limited Edition DVD box sets in 2003.Pioneer Entertainmentreleased the English dubbed (edited and uncut), and subtitled versions of the third and fourth seasons, Sailor Moon S and Sailor Moon SuperS respectively, on DVD and VHS in 2001 and 2002.
At the start of Sailor Moon S, the episode numbers for the dub were adjusted by YTV to match those of the original Japanese version. There had previously been a gap in numbering because of the seven episodes that had been cut or merged in the previous two seasons. Because of this, episode numbers 83-89 were never used for the dub. However in the United States, 83-89 were used for the dub on Cartoon Network, and did not match those of the original Japanese version.

Story

The protagonist of Sailor Moon, Usagi Tsukino(Serena Tsukino in the English dub), an ordinary, ditzy, 14-year-old girl — or so she thinks — discovers a talking cat named Luna, who reveals Usagi's identity as "Sailor Moon", a special warrior with the destiny of saving the planet Earth, and later the entire galaxy. Usagi must now find the Moon Princess and protect Earth from a series of villains, beginning with the Dark Kingdom that had appeared once before, long ago, and destroyed the Kingdom of the Moon.
When the dark nemesis attacked the kingdom, the Queen sent the Moon Princess, her guardians and advisors, and her true love into the future to be reborn, as a result Sailor Moon must help Luna awaken members of the court of the kingdom of the moon, and the people dedicated to protecting it. As Usagi and Luna battle evil and search for the Moon Princess, they meet the other Sailor Senshi, incarnations of the Moon Princess' protectors, and the mysterious Tuxedo Mask.
As the series progresses, Usagi and her friends learn more and more about the enemies they face and the evil force that directs them. The characters' pasts are mysterious and hidden even to them, and much of the early series is devoted to discovering their true identities and pasts. Luna, who teaches and guides the Sailor Senshi, does not know everything about their histories either, and the Senshi eventually learn that Usagi is the real Moon Princess. The Moon Princess' mother had her reborn as a Sailor Senshi to protect her. Gradually Usagi discovers the truth about her own past life, her destined true love, and the possibilities for the future of the Solar System.
The plot spans five major story arcs, each of them represented in both the manga and anime, usually under different names:
  1. the Dark Kingdom arc (Sailor Moon)
  2. the Black Moon arc (Sailor Moon R)
  3. the Mugen/Infinity arc (Sailor Moon S)
  4. the Yume/Dream arc (Sailor Moon SuperS)
  5. the Stars arc (Sailor Moon Sailor Stars)

The anime added an additional minor arc at the start of the second series, and spent the first few episodes of Sailor Stars wrapping up the plot from the previous series. Taking place before the manga timeline, its sister seriesCodename: Sailor V tells the story of Sailor V, Minako Aino and her adventures during the year before Sailor Moon itself starts. Many characters from Codename: Sailor V return inSailor Moon, including Sailor V herself (under the name "Sailor Venus"). The musicals added several extra storylines, including an extended version of the Stars arc, including revivals of past villains, the revival of the Dark Kingdom, a trip to Kaguya Shima (Kaguya Island), a group of villains from Nibiru and the Dracul Series.

Characters



The series features an extensive cast of characters. Initially, the main protagonists aretitle character Sailor Moon, her love interestTuxedo Mask, and the Guardian Senshi (Sailors Mercury, Mars, Jupiter, and Venus). They are later joined by Chibiusa, Sailor Moon and Tuxedo Mask's daughter from the future, and the Outer Senshi (Sailors Uranus,Neptune, Pluto, and Saturn).
Each major arc of the manga and its anime adaptation features a different group of villains: the Dark Kingdom (in the Dark Kingdom arc of the manga and in the first season of the anime), the Black Moon Clan (in the Black Moon arc of the manga and in Sailor Moon R), the Death Busters (in the Mugen/Infinity arc of the manga and in Sailor Moon S), the Dead Moon Circus (in the Yume/Dream arc of the manga and in Sailor Moon SuperS), and Shadow Galactica (in the Stars arc of the manga and in Sailor Moon Sailor Stars). The first episodes of Sailor Moon R feature a filler arc that introduces the Makaiju, two aliens that arrive to Earth to find energy to collect for an alien tree, and that the first six episodes of Sailor Moon Sailor Stars re-introduce Queen Neheleniafrom the Dead Moon Circus.
Supporting and recurring characters in the series include Luna, Artemis, and Diana (three cats that act as advisors to the Sailor Senshi), the families and friends of the Senshi, theSailor Starlights and their Princess Kakyuu, and the mysterious Chibichibi, among others.

[edit]Production

Before the Sailor Moon manga, Takeuchi published Codename: Sailor V, which centered around just Sailor Venus. She devised the idea when she wanted to create a cute series about girls in outer space, and her editor asked her to put them in sailor fuku. When Sailor V was proposed for adaptation into an anime, the concept was modified so that Sailor Vherself became only one member of a team. The resulting manga series became a fusion of the popular magical girl genre, the Super Sentai Series, of which Takeuchi was a fan.Recurring motifs include astronomy, astrology, Greek myth,Roman myth, geology,Japanese elemental themes,teen fashions,and schoolgirl antics.
Talks between Takeuchi and her publishers originally envisaged only one story-arc, and the storyline developed in meetings a year prior to publications,but having completed it, Takeuchi was asked by her editors to continue. She issued four more story-arcs,often published simultaneously with the five corresponding anime series. The anime series would only lag the manga by a month or two.Takeuchi has stated that due to the largely male production staff of the anime, she feels that the anime version has "a slight male perspective".

Media


Manga

The complete original manga spans 52 chapters, known as Acts, as well as ten separate side-stories. Its main series appeared in serial form in Nakayoshi, Kodansha's shōjo mangamagazine, from 1991 to 1995; the side-stories were serialized in Kodansha's Run Run. Kodansha has published all the chapters and side-stories in book form. The first edition came out as the series was being produced, from 1992 through 1997, and consisted of 18 volumes with all the chapters and side stories in the order in which they had been released.
The second edition, called the shinsōban or "renewal" edition, began in 2003 during the run of the live-action series. Kodansha redistributed the individual chapters so that there are more per book, and some corrections and updates were made to the dialogue and drawings. New art was featured as well, including completely new cover art and character sketches (including characters unique to the live-action series). In all, the new edition consists of 12 main volumes and two separate short-story volumes.
By the end of 1995, the thirteen Sailor Moon volumes then available had sold about one million copies each, and Japan had exported the manga to over 23 countries, including China, Mexico, Australia, most of Europe and North America.
The revised manga is being re-released in North America by Kodansha Comics USA, though Random House acts as distributor, with the first volume being released in September 2011, the second volume was released in November 2011, with further volumes to follow bimonthly.

Anime


The Sailor Moon anime, co-produced by TV Asahi, Toei Agency and Toei Animation, started airing only a month after the first issue of the manga was published. With 200 episodes airing from March 1992 to February 1997 on TV Asahi, Sailor Moon is one of the longest magical girl anime series. The anime sparked a highly successful merchandising campaign of over 5,000 items, which contributed to demand all over the world and translation into numerous languages. Sailor Moon has since become one of the most famous anime properties in the world.Due to its resurgence of popularity in Japan, the series returned to the airwaves on September 1, 2009. Also, Italy is getting it rebroadcast in northern-hemisphere autumn 2010, also getting permission from Takeuchi who will be releasing new artwork to promote.
Sailor Moon consists of five separate arcs. The titles of the series are Sailor Moon, Sailor Moon R, Sailor Moon S, Sailor Moon SuperS and Sailor Moon Sailor Stars. Each series roughly corresponds to one of the five major story arcs of the manga, following the same general storyline and including most of the same characters.There were also five specialanimated shorts, as well as three theatrically released movies: Sailor Moon R: The Movie,Sailor Moon S: The Movie, and Sailor Moon SuperS: The Movie.
The anime series uses traditional animation techniques throughout. It was directed by Jun'ichi Satō, then Kunihiko Ikuhara and later Takuya Igarashi in succession. Character design was headed by Kazuko Tadano, Ikuko Itoh and Katsumi Tamegai, all of whom were also animation directors. Other animation directors included Masahiro Andō, Hisashi Kagawa, and Hideyuki Motohashi.
The series sold as twenty "volumes" in Japan. By the end of 1995, each volume had sold approximately 300,000 copies.
There were noticeable differences between the manga and anime, including the radical personality change of Rei Hino, the toned-down focus on Mamoru Chiba in later seasons, the large emphasis on the Sailor Starlights in the final arc, the notable asbence of the four Outer Senshi during the SuperS season (while they were present during the forth story arc of the manga), the removal of several characters including Sailor Heavy Metal Papillon and Sailor Kakyuu, the break-up sub-plot between Usagi and Mamoru and the inclusion of an extra 'arc' in Sailor Moon R sometimes referred to as the 'Makaiju arc', Diana's late introduction in the anime, the homosexual relationships between Zoisite and Kunzite,the personalities of the Ayakashi Sisters and the Witches 5, and the removal of Sailor Cosmos.

Art books




Kodansha released special art books for each of the five story arcs, collectively called theOriginal Picture Collection. The books contain cover art, promotional material, and other work done by Takeuchi. Many of the drawings appear accompanied by comments on how she developed her ideas, how she created each picture, whether or not she likes it, and commentary on the anime interpretation of her story.Another picture collection, Volume Infinity, appeared in a strictly limited edition after the end of the series in 1997. This self-published artbook includes drawings by Takeuchi as well as by her friends, her staff, and many of the voice-actors who worked on the anime. In 1999, Kodansha published the Materials Collection; this contained development sketches and notes for nearly every character in the manga, as well as for some characters who never appeared. Each drawing is surrounded with notes by Takeuchi about the specifics of various costume pieces, the mentality of the characters, and her particular feelings about them. It also includes timelines for the story arcs and for the real-life release of products and materials relating to the anime and manga. At the end, the Parallel Sailor Moon short story is featured, celebrating the year of the rabbit.

Stage musicals


Musicals ran twice a year, in the winter and in the summer. In the summer, the musicals showed only in the Sunshine Theatre in the Ikebukuro area of Tokyo; however, in the winter they went on tour to the other large cities in Japan, including Osaka, Fukuoka,Nagoya, Shizuoka, Kanazawa, Sendai,Saga, Oita, Yamagata and Fukushima.
The final incarnation of the series, The New Legend of Kaguya Island (Revised Edition) (新・かぐや島伝説 <改訂版> Shin Kaguyashima Densetsu (Kaiteban)?), went on stage in January 2005. Following that show, Bandai officially put the series on a hiatus,although the productions have not been revived since 2005 leading many fans to speculate that the series has been, for all intents and purposes, canceled.

Live-action series


The Tokyo Broadcasting System and Chubu-Nippon Broadcasting screened a tokusatsu (live-action) version of Sailor Moon from October 4, 2003 through September 25, 2004. The series, titled Pretty Guardian Sailor Moon (often shortened to "PGSM"), used an entirely English-language title for the first time in the Sailor Moon franchise. It lasted a total of 49 episodes.Almost one thousand people applied for the parts of the five main characters.
The series' storyline more closely follows the original manga than the anime at first, but in later episodes it proceeds into a significantly different storyline from either, with original characters and new plot developments.
In addition to the main episodes, two direct-to-video releases appeared after the show ended its television broadcast. These were the "Special Act", which is set four years after the main storyline ends and which shows the wedding of the two main characters, and "Act Zero", aprequel which shows the origins of Sailor V and Tuxedo Mask.

Video games



More than 20 Sailor Moon console and arcade games have appeared in Japan, all based on the anime series. Bandai and a Japanese game company called Angel (unrelated to the American-based Angel Studios, as of 2010 known as Rockstar San Diego) made most of them, with some produced by Banpresto. The early games were side-scrolling fighters, whereas the later ones were unique puzzle games, or versus fighting games. Another Storywas a turn-based role-playing video game.
The only Sailor Moon game produced outside of Japan, 3VR New Media's The 3D Adventures of Sailor Moon, went on sale in North America in 1997.
A video game was released in Spring 2011 for the Nintendo DS, called Sailor Moon: La Luna Splende (Sailor Moon: The Shining Moon).
st. T � e � �G uot;Special Act", which is set four years after the main storyline ends and which shows the wedding of the two main characters, and "Act Zero", aprequel which shows the origins of Sailor V and Tuxedo Mask.

English adaptations


The English adaptations of both the manga and anime series became the first successfulshōjo title in the United States. The anime adaptation of Sailor Moon attempted to capitalize on the success of Mighty Morphin Power Rangers.After a bidding-war between Toon Makers, who wanted to produce a half live-action and half American-style cartoon version,and DIC Entertainment, DiC — then owned by The Walt Disney Company — and Optimum Productions acquired the rights to the first two seasons ofSailor Moon,from which they cut a total of six episodes (five from the first season and one from the second season) and merged the final two episodes of the first season into one. Editors cut each of the remaining episodes by several minutes to make room for more commercials, to censor plot points or visuals deemed inappropriate for children, and to allow the insertion of "educational" segments called "Sailor Says" at the end of each episode. The second season, named Sailor Moon R in Japan, was dubbed solely as Sailor Moon with the "R" removed from the logo.
The English adaptations of Sailor Moon S and Sailor Moon Super S, produced by Optimum Productions and Cloverway, stayed relatively close to the original Japanese versions, without skipping or merging any episodes. Some controversial changes were made, however, such as the depiction of Sailors Uranus and Neptune as cousins rather than lesbian lovers.
Toei has never licensed the fifth and final series, Sailor Stars, for adaptation into English. As of May 2004, the rest of the media franchise has officially gone off the air in all English-speaking countries due to lapsed and unrenewed licenses.
The manga publisher Mixx (later Tokyopop) translated the Sailor Moon manga into English in 1997. The manga initially appeared as a serial in MixxZine but was later pulled out of that magazine and made into a separate monthly comic to finish the first through third arcs. At the same time, the fourth and fifth arcs began printing in a secondary magazine called "SMILE". After its initial publication, the entire series was reprinted in the smaller volume format known in the beginning as "Pocket Mixx" before Mixx became Tokyopop. In total, the series was collected into 11 "Sailor Moon" volumes, 4 "Sailor Moon Super S" volumes, and 3 "Sailor Moon Stars" volumes. The volumes included extra stories that were not run with the monthly comics. Sailor Moon collects the first three arcs (the Dark Kingdom [Mixxzine 1-1 to 2-1 + Comic issues 1-7], Black Moon [8-19], and Infinity arcs [20-35]). Sailor Moon Super Scollects the Super S/Dream arc [Smile 1.1-2.6] and Sailor Moon Stars collects the Sailor Stars arc [Smile 2.7-3.10]. They feature the content from the original manga collections (though the names of characters introduced in the first two story arcs were changed to those used in the English anime), as well as the occasional new sketch and "thank you" commentary from Takeuchi.
The Tokyopop English-language manga officially went out of print on May 2, 2005 after the license expired, but was later revived by Kodansha Comics USA in association withRandom House. The new English editions are based on the 2003 deluxe Japanese editions, and features a total of 16 volumes (12 for the main Sailor Moon manga, 2 volumes of short stories, and 2 volumes of Sailor V). The first volumes of Sailor Moon and Sailor V were released on September 13, 2011 with later volumes are being released bimonthly.

Music


Most of the TV series used for an opening theme "Moonlight Densetsu" (ムーンライト伝説Mūnraito Densetsu?, lit. "Moonlight Legend"), composed by Tetsuya Komoro with lyrics by Kanako Oda. It was one of the series' most popular songs. "Moonlight Densetsu" was performed by DALI as the opener for the first two anime series, and then by Moon Lips for the third and fourth.The final series, Sailor Stars, switched to using "Sailor Star Song" for its opening theme, written by Shōki Araki with lyrics by Naoko Takeuchi and performed by Kae Hanazawa."Moonlight Densetsu" made its final appearance as the closing song for the very last episode, #200. "Moonlight Densetsu" has been covered and remixed many times by artists such as the punk supergroup Osaka Popstar, Kitade Nanaand Tsuji Nozomi. It is believed that the song's melody was inspired by "Sayonara wa Dance no Ato ni" (Goodbye at the End of the Dance), performed in the 1960s by Chieko Baisho.Numerous people wrote and composed music for the Sailor Moonmetaseries, with frequent lyrical contributions by creator Naoko Takeuchi. Takanori Arisawa, who earned the "Golden Disk Grand Prize" from Columbia Records for his work on the first series soundtrack in 1993, composed and arranged the background musical scores, including the spinoffs, games, and movies. In 1998, 2000, and 2001 he won the JASRAC International Award for most international royalties, owing largely to the popularity of Sailor Moon music in other nations.
The English-language dub of the anime series used the melody of "Moonlight Densetsu", but with very different lyrics and instrumentation. At the time, it was unusual for anime theme songs to be translated, and this was one of the first such themes to be redone in English since Star Blazers. The English theme has been described as "inane but catchy".The Japanese theme is a love song based on the relationship between Usagi and Mamoru ("born on the same Earth"); its first verse, as it appears in the English subtitles, is as follows:
I'm sorry I'm not straightforward,
I can say it in my dreams
My thoughts are about to short circuit,
I want to see you right now
The English "Sailor Moon Theme" rather resembles a superhero anthem. Its first verse is written:
Fighting evil by moonlight,
Winning love by daylight,
Never running from a real fight,
She is the one named Sailor Moon
All three versions of the series also make use of insert themes, battle music, and image songs, with the original being much more prolific. Over 40 Japanese music albums were released for the anime alone, many of which were remixes of the previous albums in jazzstyle, music box, French, etc. In addition, 33 different CD singles were released, many of them centered around specific characters. The second most prolific country in terms of Sailor Moon music releases was Germany, which produced some fifteen albums and singles, including five by the pop band Super Moonies. In North America, only three albums were released. These numbers do not include the CDs from the Musicals, which were only released in Japan. At least one CD was released per musical, as well as various collections, such as Villain Collections or many songs sung by a single actor or actress. Various CDs were also released for the live action adaptation as well.
Moonlight Densetsu was released as a CD single in March 1992, and was an "explosive hit"."Moonlight Densetsu" won first place in the Song category in Animage's 15th and 16th Anime Grand Prix.It came seventh in the 17th Grand Prix, and "Moon Revenge", from Sailor Moon R: The Movie, came eighth. "Rashiku Ikimasho", the second closing song for SuperS, placed eighteenth in 1996.In 1997, "Sailor Star Song", the new opening theme for Sailor Stars, came eleventh, and "Moonlight Densetsu" came sixteenth.
Reception


The manga won the Kodansha Manga Award in 1993 for shōjo.
Originally planned to run for only six months, the Sailor Moon anime repeatedly continued due to its popularity, concluding only after a five-year run. In Japan, it aired every Saturday night in prime time, getting TV viewership ratings around 11-12% for most of the series run.Commentators detect in the anime adaptation of Sailor Moon "a more shonen tone," appealing to a wider audience than the manga, which aimed squarely at teenage girls.The media franchise is one of the most successful Japan has ever had, reaching 1.5 billion dollars in merchandise sales during the first three years. Ten years after the series completion, the series has featured among the top thirty of TV Asahi's Top 100 anime polls in 2005 and 2006. The anime series won the Animage Anime Grand Prix prize in 1993.Sales of Sailor Moon's fashion dolls overtook that of Licca-chan in the 1990s; Mattel suggested that this was due to the "fashion-action" blend of the Sailor Moon storyline. Doll accessories included both fashion items and the Senshi's weapons.
Sailor Moon has also become popular internationally. Spain and France became the first countries outside of Japan to air Sailor Moon, beginning in December 1993.Other countries followed suit, including Australia, South Korea, the Philippines (which became one of its carrier network's main draws to become the third biggest network in the country), Poland, Italy, Peru, Brazil, Sweden and Hong Kong, before North America picked up the franchise for adaptation. In 2001, the Sailor Moon manga was Tokyopop's best selling property, outselling the next-best selling titles by at least a factor of 1.5. In Diamond Comic Distributors's May 1999 "Graphic Novel and Trade Paperback" category, Sailor MoonVolume 3 ranked #1 in sales out of all of the comic books sold in the United States.
Critics have commended the anime series for its portrayal of strong friendships, as well as for its large cast of "strikingly different" characters who have different dimensions and aspects to them as the story goes on,and an ability to appeal to a wide audience.Writer Nicolas Penedo attributes the success of Sailor Moon to its fusion of the shōjo manga genre of magical girls with the Super Sentai fighting teams. According to Martha Cornog and Timothy Perper, Sailor Moon became popular because of its "strongly-plotted action with fight scenes, rescues" and its "emphasis on feelings and relationships", including some "sexy romance" between Usagi and Mamoru. The romance of Usagi and Mamoru has been seen as an archetype where the lovers "become more than the sum of their parts", promising to be together forever. In contrast, others see Sailor Moon as campyand melodramatic. Criticism has singled out its use of formulaic plots, monsters of the day,and stock footage.
Drazen notes that Sailor Moon has two kinds of villains, the Monster of the Day and the "thinking, feeling humans". Although this is common in anime and manga, it is "almost unheard of in the West".Despite the series' apparent popularity among Western animefandom, the dubbed version of the series received poor ratings in the United States when it was initially broadcast in syndication and did not do well in DVD sales in the United Kingdom. Anne Allison attributes the lack of popularity in the United States primarily to poor marketing (in the United States, the series was initially broadcast at times which did not suit the target audience - weekdays at 9:00 a.m. and 2:00 pm). Executives connected with Sailor Moon suggest that poor localization played a role.Helen McCarthy and Jonathan Clements go further, calling the dub "indifferent", and suggesting that Sailor Moon was put in "dead" timeslots due to local interests. The British distributor, MVM Films, has attributed the poor sales to the United Kingdom release being of the dub only, and that major retailers refused to support the show leading to the DVD release appealing to neither children nor older anime fans.
Both the manga editorial vid and the anime series were released in Mexico twice in a quite accurate translation in Imevisión (what is now TV Azteca), which also aired almost complete versions of Saint Seiya, Senki, Candy Candy, Remi, Nobody's Girl, Card Captor Sakura andDetective Conan. With quite a success and in the U.S. censored version in the Cartoon Network that was very quickly taken off the air due to the lack of viewers being lackluster compared to the original version; due to sensitive or controversial topics a Catholic parents' group exerted pressure to take it off the market, which partially succeeded - but after the whole series had been aired once from Sailor Moon to Sailor Stars and some of the movies.
Due to anti-Japanese sentiment, most of Japanese media other than animated ones was banned for many years in South Korea. A producer in KBS "did not even try to buy" Sailor Moon because he thought it would not pass the censorship laws, but as of May 1997, Sailor Moon was airing on KBS 2 without issues and was "enormously" popular.
In his 2007 book Manga: The Complete Guide, Jason Thompson gave the manga series 3 / 4 stars. He enjoyed the blending of shōnen and shōjo styles, stating that the combat scenes seemed heavily influenced by Saint Seiya, but shorter and less bloody, and noting that the manga itself appeared similar to Super Sentai television shows. While Thompson found the series fun and entertaining, the repetitive plot lines were a detriment to the title which the increasing quality of art could not make up for; even so, he still states that the series is "sweet, effective entertainment".Thompson states that although the audience for Sailor Moon is both male and female, Takeuchi does not use excessive fanservice for males, which would run the risk of alienating her female audience. Thompson states that fight scenes are not physical and "boil down to their purest form of a clash of wills", which he argues "makes thematic sense" for the manga.
When comparing the manga and anime, Sylvian Durand first notes that the manga artwork is gorgeous, but that the storytelling is more compressed and erratic, and that the anime has more character development. Durand felt "the sense of tragedy is greater" in the manga's telling of the "fall of the Silver Millennium", giving more detail on the origins of the Shitennou and on Usagi's final battle with Beryl and Metalia. Durand feels that the anime leaves out information which makes the story easier to understand, but judges the anime more "coherent", with a better balance of comedy and tragedy, whereas the manga is "more tragic" and focused on Usagi and Mamoru's romance.
For the week of 11 September 2011 - 17 September 2011, the first volume of the re-releasedSailor Moon manga was the bestselling manga on the The New York Times Manga Best Sellers list, with the first volume of Codename: Sailor V in second place. The first print run of the first volume sold out after four weeks.

Legacy




The anime has been cited as reinvigorating the magical girl genre by adding dynamic heroines and action-oriented plots. After its success, many similar titles immediately followed. Magic Knight Rayearth, Wedding Peach, Nurse Angel Ririka SOS, Revolutionary Girl Utena, Fushigi Yuugi and The Vision of Escaflowne all owe much of their basis to the popularity of Sailor Moon.Sailor Moon has been called "the biggest breakthrough" in English dubbed anime up until 1995, when it premiered on YTV, and "the pinnacle of little kid shojo anime".Matt Thorn notes that soon after Sailor Moon, shōjo manga began to be featured in book shops, as opposed to fandom-dominated comic shops. It is credited as the beginning of a wider movement of girls taking up shōjo manga.Gilles Poitras defines a "generation" of anime fans as those who were introduced to anime by Sailor Moon in the 1990s, noting that they were both much younger than the other fans and also mostly girls.
Fred Patten credits Takeuchi with popularizing the concept of a Super Sentai-like team ofmagical girls, and Paul Gravett credits the series with "revitalizing" the magical girl genreitself.[5] The series is credited with changing the genre of magical girls—its heroine must use her powers to fight evil, not simply to have fun as previous magical girls had done.
In the West, people sometimes associated Sailor Moon with the feminist or Girl Powermovements and with empowering its viewers, especially regarding the "credible, charismatic and independent" characterizations of the Sailor Senshi, which were "interpreted in France as an unambiguously feminist position." Although Sailor Moon is regarded as empowering to girls, and feminist in concept through the aggressive nature and strong personalities of the Sailor Scouts,it must be noted that it is a specific type of feminist concept where "traditional feminine ideals [are] incorporated into characters that act in traditionally male capacities".] Whilst the Sailor Scouts are strong, independent fighters who thwart evil (which is generally a masculine stereotype), they are also ideally feminized through the transformation of the Sailor Scouts from teenage girls to magical girls which heavily emphasizes on jewellery, make-up, and their highly-sexualized outfits (cleavage, short skirt, and accentuated waist).The most notable hyper-feminine features of the Sailor Scouts (and most other females in Japanese girls’ comics) are the girls’ thin bodies, extremely long legs, and, in particular, round, orb-like eyes. Eyes are commonly known as the primal source within characters where emotion is evoked – sensitive characters have larger eyes than insensitive ones. Male characters generally have smaller eyes and do not contain a sparkle or shine in them like the eyes of the female characters. The stereotypical role of women in Japanese culture is to undertake ‘romantic’ and ‘loving’ feelings;therefore, the prevalence of hyper-feminine qualities like the openness of the female eye (in Japanese girls’ comics) is clearly exhibited in Sailor Moon, as well. Thus,Sailor Moon emphasizes a type of feminist model by combining traditional masculine action with traditional female affection and sexuality through the Sailor Scouts.[104] Its characters have also been described as "catty stereotypes", with Sailor Moon's character in particular being singled out as less-than-feminist because her favorite class is home economics and her least favorite is math.[ The series creator has said she based Usagi on herself, and is meant to reflect her reality.
Sailor Moon has also been compared with Barbie, Mighty Morphin Power Rangers,Buffy the Vampire Slayer,and Sabrina, the Teenage Witch.
James Welker believes that Sailor Moon's futuristic setting helps to make lesbianism "naturalized" and a peaceful existence. Yukari Fujimoto notes that although there are few "lesbian scenes" in Sailor Moon, it has become a popular subject for yuri parodic dōjinshi. She attributes this to the source work's "cheerful" tone, although she notes that "though they seem to be overflowing with lesbians, the position of heterosexuals is earnestly secured".
In English-speaking countries, Sailor Moon developed a cult following amongst various anime fans and male university students,and Drazen considers that the Internet was a new medium that fans used to communicate and played a role in the popularity of Sailor Moon.Fans could use the Internet to communicate about the series, using it to organize campaigns to return Sailor Moon to U.S. broadcast, and to share information about episodes that had not yet aired, or to write fan fiction.In 2004, one study suggested there were 3,335,000 sites about Sailor Moon, compared to 491,000 for Mickey Mouse. NEO magazine suggested that part of Sailor Moon's allure was that fans communicated, via the Internet, about the differences between the dub and the original version.The Sailor Moonfandom was described in 1997 as being "small and dispersed". In a United States study, children paid rapt attention to the fighting scenes in Sailor Moon, although when questioned if Sailor Moon was "violent" only two would say yes, the other ten preferring to describe the episodes as "soft" or "cute".

International revival




Toei regained control over the license to distribute Sailor Moon outside of Japan in 2004. On February 4, 2010, Toei began negotiations to re-license the entire series globally. In February 2010 the show returned to Albania in its original form. As of March 1, 2010, a new remastered Sailor Moon has returned to Italian television. Toei has also stated if it is popular in Italy, an international revival will begin. However, it has yet to be announced if the English version will be re-licensed. It should be noted that the English version only consists of most of the 1st season as well as the entire 2nd, 3rd and 4th seasons (minus the SuperS TV special). In 2010, Toei offered 200 refurbished episodes of Sailor Moon at MIPTV.The anime is also scheduled to begin playing on TVB J2 channel in Hong Kong once more in August 2010. Sailor Moon has returned to Portuguese television in January 2011 and is going to make its way to Africa sometime in 2011. Toei has started to license the refurbished Sailor Moon episodes to countries which the show has not been air before, like Israel, which began airing on January 2011. In December 2011 Sailor Moon was aired for the third time (after 1995 and 2000) in Poland. On January 23, 2012 ABS-CBN began re-airing the original series with new Tagalog dubbing, 11 years after its Philippine debut on TV5. ABS-CBN airs it on its flagship station on a daily basis and on a weekly, marathon basis on its anime-themedHERO TV cable channel.
In 2009, Funimation announced that it was considering an entire re-dub of the Sailor Moon series and asked people to take part in a survey on what their next project should be. The re-dub of the Sailor Moon series was included. The results of the survey have not been released to the public.
In 2011, Kodansha USA announced that it would publish the Sailor Moon manga in English, along with the lead in series Codename: Sailor V, both were released on September 13, 2011.The manga will continue to be released bimonthly with the next Sailor Moon and Codename: Sailor V volumes being released on November 15, 2011.

Sailor Moon Episode 3

Sailor Moon Episode 2

Sailor Moon Episode 1

Air Gear Episode 10

Air Gear Episode 9

Air Gear Episdoe 8

Air Gear Episode 7

Air Gear Episode 6

Air Gear Episode 5

Air Gear Episode 3

Air Gear Episode 4

Air Gear Episode 2

Air Gear Episode 1

Watership Down (TV series) Introduction


Watership Down title card.png
The Watership Down title card. From left to right: Pipkin, Bigwig, Hazel, Blackberry, and Fiver.

The Watership Down title card. From left to right: Pipkin, Bigwig, Hazel, Blackberry, and Fiver.
Genre   Fantasy
Children's television
Format                 Animated cartoon
Created by          Richard Adams (book)
Written by          Mary Crawford
Alan Templeton
Directed by         Troy Sullivan
Composer(s)      Mike Batt
Country of origin               United Kingdom
 Canada
Language(s)       English
No. of seasons 3
No. of episodes                39
Production
Running time     23 minutes
Production company(s)                 Alltime Entertainment
Decode Entertainment
Helix Animation
Funbag Animation Studios
Broadcast
Original channel                CITV, YTV
Original run         September 28, 1999 – December 4, 2001

Watership Down is an animated television series, adapted from the novel of the same name by Richard Adams. It was a co-production of Alltime Entertainment of the United Kingdom and Decode Entertainment of Canada,[1] and produced by Martin Rosen, the director of the 1978 feature film adaptation.

Watership Down aired for 39 episodes and three seasons from 1999 to 2001, on both YTV in Canada and CITV in the UK,[1] though the latter did not broadcast the third season. It starred several well-known British actors, including Stephen Fry, Rik Mayall, Phil Jupitus, Jane Horrocks, Dawn French, John Hurt, and Richard Briers, among others. Stephen Gately sang a new arrangement of Art Garfunkel's "Bright Eyes", which had been included in the 1978 feature film, while Mike Batt (who wrote "Bright Eyes") and the Royal Philharmonic Orchestra contributed a completely new score.[2] In 2003, composer Eric Robertson as well as David Greene and Mike Batt were nominated for a Gemini Award for Best Original Music Score for a Dramatic Series for their work on the show.[3]

Some episodes from the adaptation were released on VHS and later, DVD. In October 2005, a Region 2 DVD box set of all three series was released in the UK.

Plot overview

Following the basic plot of the novel, Watership Down follows the lives of a group of rabbits as they leave their endangered warren in search of a safe new home. They travel across the English countryside, braving perilous danger, until they find a hill called Watership Down, where they begin a new warren. However, they are endangered by another warren, Efrafa, which is led by the authoritarian General Woundwort, and they are soon forced to defend their home and lives.

Although the first and second series concerned themselves mostly with elements taken from the original novel, the third deviated almost entirely, with many episodes focusing solely on new characters and situations. In addition, the third series featured a new opening sequence and style of animation, along with the loss of many of the original voice actors. The programme became noticeably darker in tone, adding elements of mysticsm and magic, such as Campion's encounters with the Black Rabbit of Inle, Silverweed's psychic powers and Hannah's learning of hedge magic

Although the series was praised by younger audiences at the time of the series' air, fans of both the novel and the movie gave it mixed to negative reviews due to drastic changes from the novel (like Blackberry changed from a buck to a doe) and it's more kid-friendly tone as compared to the violence of the movie. Nevertheless, the series has grown a fanbase as it went on.

Voice cast


Watership Down was voiced by many familiar faces in the world of British film and television. John Hurt, the voice of Hazel in the film, was reappointed for the series as the voice of General Woundwort, and Richard Briers, the voice of Fiver in the film, appeared in the series as Captain Broom. Dawn French, Jane Horrocks, Stephen Fry, Phil Jupitus and Rik Mayall all provided voices, as Buttercup, Hannah, Cowslip, Dandelion and Kehaar, respectively. To a lesser extent, the late former Boyzone member Stephen Gately, who performed the re-working of "Bright Eyes", provided the voice of Blackavar, and comedy actor Stephen Mangan provided the voice of Bigwig and later, Silverweed, replacing Tim McInnerny who provided Silverweed's voice for one episode in Series 1. Actor Kiefer Sutherland was involved and played the role of a new rabbit called Hickory, but only for 3 episodes, to be replaced in Series 3 by Rob Rackstraw who also provides the voice for Captain Campion and various other characters. By Series 3 most of the celebrity voices were gone and were replaced by new actors, with only a few of the original cast having decided to stay and reprise their roles and provide additional voices.

Cast

Kate Ashfield - Primrose (Seasons 1 and 2 only)

Rob Rackstraw - Campion, Hickory (Season 3 only), additional voices

Andrew Falvey - Fiver

David Holt - Vervain, additional voices

Phill Jupitus - Dandelion (Seasons 1 and 2 only)

Stephen Mangan - Bigwig, Shale, Silverweed (Season 3 only)

Lee Ross - Hawkbit

Elliot Henderson-Boyle - Pipkin (Seasons 1 and 2 only)

Ian Shaw - Hazel (Seasons 1 and 2 only)

Cary Elwes - Hazel (Season 3 only)

Anthony Jackson - Kehaar, Cowslip (Season 3 only, both roles)

David Kaye - General Woundwort (Season 3 only)

Episodes

Series 1
The Promised Land Seven rabbits from Sandleford Warren set out on a search for the 'High Lonely Hills' which Fiver has seen in a vision as being a place of safety. Along the way, they encounter many dangers such as the river and a dog. They finally reach the hill called Watership Down.
Home on the Down The rabbits begin to settle into their new home on the down. However problems become apparent: the burrows need digging, but there's only one doe and bucks don't dig! A weasel also arrives at the down and everyone must work together; Meanwhile, a mysterious visitor is looking for Bigwig. It was Caption Holly who escapes from Sandleford.
The Easy Life In search of Pimpernel, the rabbits travel to a nearby warren believed to be a place of safety. This warren led by Cowslip, seems a little too good to be true ... and it is! Bigwig nearly dies in the process of realizing this.
Strawberry Fayre Free from Cowslip's warren, Strawberry begins to settle in at the down, albeit lazily. Meanwhile, Bigwig hears of a vicious warren called Efrafa and investigates further.
The Shadow of Efrafa Hazel, Fiver and Bigwig decide to visit Efrafa, after hearing reports that Efrafa want to kill all outsiders. Hazel encounters General Woundwort and asks him a few questions, Unaware Woundwort is set out to kill him. Hazel falls in love for a rabbit called Primrose After Fiver has a vision about Woundwort's past (which is unlike any others he's had before), they escape having made a new enemy. Hazel promised himself he will come back for Primrose to be free.
The Raid Having a lot on his mind, Hazel travels to Nuthanger Farm with Pipkin and Fiver to get some hutch-rabbits to come and join them, fearing that if they don't have enough rabbits living with them, they will be wiped out by Efrafa. Hazel heads for a lot of trouble though involving a man and a gun. In the end, they bring back a new rabbit doe named Clover.
The Challenge to Efrafa Hazel, Bigwig, Fiver, Hawkbit and Blackberry all set off to help rescue Primrose and Blackavar from Efrafa. However, they get trapped under a stone bridge. Bigwig and Hazel have yet another argument and Bigwig storms off forming a plan to rescue Blackavar and Primrose.
Escape From Efrafa Bigwig joins Efrafa and plans to help Primrose escape. Hazel and the others are still stuck under the stone bridge with the Efrafan guards on top of it. They hatch a plan with Kehaar and flee towards the grounds of Efrafa to meet Bigwig, where he tells them his plan to free Primrose and Blackavar. After some time, they finally flee from Efrafa and make their escape on a boat leaving Woundwort raging, Hazel and Primrose happily to be together at last.
The Vision Primrose feels a little homesick for her former home Redstone, so Hazel agrees to take her back despite Fiver telling them the place is empty. On the down, Fiver has another vision: that one of their past enemies will return (the weasel they defeated last spring). Fiver begins to feel even guiltier than usual after Hawkbit accuses him of being bad luck (despite the fact that if Fiver had never told them about the visions they'd all be dead by now); however, Hawkbit was just angry at Bigwig for working them too hard. Meanwhile, Hazel and Primrose travel onward, She nearly drowning after falling into the river along the way, but Hazel leaps in and rescues her. They are shocked to find that Fiver was right about Redstone being empty. The only one left there is Captain Broom. So they went back to the Down to tell Fiver that his visions aren't wrong and he felt much better.
Tales of a Mouse Hazel decides to take a trip to the farm with Bigwig, Fiver and Hawkbit to find some good food for the new baby rabbits. Everything seems to be going well, until they encounter a dog and cat. Hannah gets herself into trouble too. But she been saved by Fiver and together they escaped with a help from Hazel and others to make a hole underneath the garden fence.
Lost Wandering through the burrow, Hawkbit discovers a strange chamber and believes he saw The Black Rabbit of Inlé. Concerned, Hawkbit goes to check it out again with Hazel and Fiver; They encounter a cave-in and are trapped. but Bigwig believes Hazel, Fiver and Hawkbit have been kidnapped by Efrafa. Later, the others found out the Black Rabbit is just a shadow.
Friend and Enemy Certain that the Efrafans are getting closer to the warren, Hazel and his friends decide to leave false trails leading them away from the warren. But trouble lies for Captain Campion as he has an encounter with a hawk. Hazel being as caring as Campion does, He helps him into the greenhouse. but puts his own life in danger when they both meet an enemy, a snake. The two of them have never encountered before.
Kidnapped Bigwig and Hazel worry about the thought of Watership Down being wiped out and that they have no idea of Woundwort's plans. Deciding that they will try to get Campion on their side, they find him out on patrol and ask him to help. Things seem to be going well, until Pipkin falls into the river and is swept away. Hazel and others knew they had to rescue him before it's too late.
Series 2
Prisoner Of Efrafa The rabbits find out the Efrafans have captured Pipkin. Woundwort begins to treat Pipkin well, In order to find out the location of his warren and especially since Woundwort learns that Pipkin's mother was killed by a weasel (which was what happened to his own mother). Meanwhile, Hazel hatches a plan to free Pipkin with help from Campion. They manage to recruit as many of ther local animals as they can in order to make his plan work, and in the end it works better than they expected.
The Roundabout Hickory and Marigold decide it's time to leave Cowslip's warren and set off to find Hazel. He agrees to help them escape, Hawkbit and Dandelion give them lessons on how to live outside in freedom. Hickory and Marigold decide to start a new warren. Concerned, Primrose suggests that they move into Redstone. Trouble is ahead of them though when Hickory gets trapped on a roundabout. Hazel and others set off to save him along with Pipkin who help them to get across.
The Market Kehaar becomes homesick for the Big Water and decides he must go and visit it, The rabbits are tagging along too and smelling the glorious smell of carrots and lettuce. They wander inside a big farm van to nibble at the food. But suddenly the van wonders off and the rabbits find themselves at a market where Dandelion and Hawkbit get separated. They find the others and make a strange friendship with a pig that they encourage her to be free.
The Great Water Finally making it to the Big Water, The rabbits lose contact with Kehaar. They are amazed by their new surroundings, including the salty sea water. but soon realize that the sea is getting closer to them. Meanwhile, Kehaar meets up with his old friend, Katerina. but soon realizes she isn't as friendly as he thought she once was. The rabbits are helped out by the puffins after almost being taken away by the sea. After getting to the top, They set off for home.
The Stand Hickory and Marigold finally make their escape from Cowslip's warren, They bringing along some friends with them. Bigwig and his friends help Hickory set up the warren at Redstone, Unaware Cowslip has watched them and met up with Woundwort. Campion warns Hazel that Woundwort will attack Redstone at dawn. Woundwort is disappointed to find the warren empty and heads off to Cowslip's warren where he is unaware of the shining wire until Campion saves him. Campion however, is caught out by Vervain and arrested.
The Orchard The apples of the orchard are red and delicious, so Hazel and Bigwig go down to have a munch. but retreat back to the warren when they find out a badger lives there. Knowing that the orchard is off-limits, Pipkin persuades Fiver to go down with him to have a bite of the apples anyway. The badger appears, Fiver and Pipkin flee. but Fiver gets hurt after he is hit by a ladder and Pipkin leaves him. The badger drags the unconscious Fiver into its den. But Fiver soon finds out the badger is harmless and her name is Bark.
The Great Game Hazel sends Hannah to check on Campion when he doesn't receive any news from him. After a while, the mouse sneaks into Efrafa. Hannah observes Vervain trying to coerce answers out of a starved Campion; She then reports back to Hazel. Knowing Campion is still under arrest and Vervain is starving him to death, Hazel decides he must do something to help. The rabbits make a really cunning plan and manage to convince Woundwort that Vervain is a mad bunny (which isn't hard considering how insane he already is)! Woundwort tells Campion he's sorry for listening to Vervain and reappoints him as captain; Meanwhile, Vervain is relieved of his duty and treated as insane. Campion is soon up and running again. He turns down Hazel and Primrose's invitation to Watership Down once again.
Winter On Watership Down: Part 1 It's been snowing and the grass has turned white. The rabbits plan on having a big feast, But with no food, Hazel, Bigwig, Hawkbit, Dandelion, Fiver and Kehaar set off to find some. They become lost and encounter danger with a fox and ice. Bigwig falls through the ice and Hazel saves him, but Bigwig starts to suffer from the cold. They stand outside and gaze in at the humans celebrating Christmas Eve. Then Buttercup comes along and allows the rabbits to stay at her warren, right near man. Kehaar is upset that he can't find them somewhere in the snow.
Winter On Watership Down: Part 2 After finding out Buttercup and her friends live near man, Hazel's group is unconvinced that Buttercup's warren is safe. Hazel and his friends decide to flee from there during the night, but they soon find out that Buttercup's warren IS harmless and that the men that live nearby are harmless too. Buttercup lets them take as much food as they want and Kehaar leads them back home safely to Watership Down. Primrose and others are happy that they finally come home at last.
The Mysterious Visitors Hawkbit, Fiver, Pipkin and Dandelion raid the farm and to Hazel's surprise bring two other rabbits, Bluesky and Raincloud, back to the down instead of food. Both say they are messengers from Prince Rainbow. Hazel catches on straight away that it's all a scam, but he keeps it quiet. The two demanding rabbits tell Pipkin they can fly, which leads into a lot of trouble.
The Invasion After a huge storm,They surprised that sheep have come to Watership Down. For now, Hazel agrees to let them stay. But after living with them for a while, He soon finds out they aren't that friendly. Their eating habits are ruining the down and that they attract more enemies. Captain Broom explains about what a sheepdog can do to get rid of the sheep and Hazel hatches a cunning plan to get the sheep off the down. Pipkin says goodbye to a lamb named Frost who speaks.
Bigwig's Way Bigwig sets up an early morning Owsla patrol, but Hannah doesn't show up for her training. Later, she turns up with Hickory, excited that He and Marigold have got baby rabbits. However, Bigwig is annoyed at her and after an argument Hannah leaves the down. Kehaar manages to convince Hannah to come to Redstone and she agrees. On her way to Redstone, she ends up stranded up a tree and meets a young squirrel called Tassle who shows her how to get down the tree. Bigwig realizes that he's been so hard on Hannah, He knew that he had to find her to say sorry for what he had done.
The Homecoming Vervain, now a slave but escapes, manages to find the hidden back entrance to Hazel's warren and tells Woundwort, To Campion's horror. He sets off to warn Hazel and is then amazed by the beauty of Watership Down when he sees it for himself. Hazel and his friends set traps for Woundwort's arrival. It's love at first sight for Blackberry and Campion. Then the final battle and Fiver's scary vision becomes reality as Campion is crushed beneath a rock in the process of saving Woundwort. Hazel and others bid farewell to Campion in their hearts.
Series 3
The Last Battle (English-German translated title* Campion Lives) The Efrafan Owsla flees the collapsing caverns leaving only Woundwort, Vervain, Moss, and a handful of officers alive. Realizing that not even the cave-in will stop General Woundwort from trying to destroy them, Hazel, Fiver, and Bigwig make preparations to wage war on Efrafa with Pipkin recruiting all his animal friends. Fiver meanwhile senses that Campion is not dead, and indeed the Efrafan captain manages to pull himself free from the rubble of the caverns. Alive but horribly scarred. He meets the Black Rabbit of Inlé, who tells him his time has not yet come and that he has a special destiny in store for him. Meanwhile, Moss seeing that Woundwort is going mad, teams up with a doe named Heather to overthrow him, but then the Watership group attacks Efrafa in full force. The Efrafans are free from Woundwort at last.
A New World (English-German translated title* Woundwort Never Gives Up) Following the liberation (and destruction) of Efrafa, the Efrafans move into Watership Down with Moss, the highest-ranking surviving officer as their reluctant leader. Tensions are high, though, as the different rabbit cultures clash, culminating in three of the other surviving officers trying to bully Pipkin and ending up getting into a fight with Bigwig. Pipkin sulks, but when another animal tells him that the crows are waiting for someone to die, He runs off and discovers an exhausted Campion. But Campion makes him swear to keep his survival a secret. Meanwhile, Woundwort has survived and runs into two other former Efrafans in a swamp letting them sink to their deaths in a mire after they refuse to swear loyalty to him. The Black Rabbit of Inlé shows Campion this and tells him that his destiny is stop Woundwort, who "threatens the world of the living." Campion also has a horrible vision of Blackberry in danger and himself being threatened by a fierce green rabbit. Meanwhile, Moss and Heather decide to take the rest of the Efrafans to start a new warren elsewhere.
The Wanderers (English-German translated title* The Wanderer) Vervain wanders about aimlessly, getting into all sorts of trouble. Bigwig, meanwhile, continues to push his Owsla. Campion, with Pipkin's help, is also beginning to regain his strength. Vervain meets a companion, only to abandon him like he always does after a weasel attacks them. In the end, Bigwig eventually accomplishes his goals. Vervain nearly drowns after he is entangled in a barbed wire filled pond, but Fiver, Primrose, Captain Holly, Captain Broom, Hannah and Kehaar rescue him (but only after Fiver pleads with them to save the drowning rabbit). They banish him, hopefully for good. Fiver has a vision and the others realize Woundwort lives. Meanwhile, Vervain is attacked by a weasel, but Woundwort saves him. The rabbit is stunned, but says, "Master, I live to serve you."
The Nestling (English-German translated title* The Challenge) The Junior Owsla and Kehaar help an orphaned hawk named Scree survive, while at the same time trying to prove to Hazel they are responsible enough to go on solo patrol. But what they don't know is that Bigwig has been secretly watching them help the hawk, so when they actually ending up saving the hawk they have proven themselves to him. Kehaar leaves to find a mate. Woundwort and Vervain realize someones following them so they set a trap. Scree saves the trapped Campion.
The Secret of Redstone (English-German translated title* Woundwort In A Trap) Hazel and the others notice a change in Redstone. After learning that elil and man are hunting the Redstone warren, they leave only to smell Campion's trail. Believing it to be a shadow rabbit and realizing that shadow rabbits bring death, They split up but Pipkin confesses to Blackberry who runs off. He then confesses to the others. Woundwort, calling himself Wheatstalk and Vervain Chaff, begins to gain the trust of the rabbits at Redstone Warren. Blackberry finds Campion and tells him she loves him despite the scars; He tells her he cannot be with her and runs off. Woundwort and Vervain get caught by a poacher, but the poacher is caught before he can do anything and they're set free.
My Fair Gull (English-German translated title* Kehaar's Departure) Woundwort works his way towards chieftainship of Redstone. Kehaar returns with his new love, Gluck. All the rabbits are driven crazy by her. Woundwort discovers that it's Fiver who outsmarts him every time he has threatened Watership Down and decides he might have to kill the rabbit. Hickory makes Woundwort the new leader, much to Marigold's displeasure (as she is the only one who has seen through the evil buck's disguise). After an interrogation with a young rabbit, Vervain asks Hickory about the rabbit he mentioned. Hickory says Silverweed is a strange mystical rabbit, Vervain finds the information useful and passes it onto Woundwort. They decide to turn in the Redstone rabbits in exchange for Silverweed, an idea that Marigold overhears and runs away at. She is nearly caught, but fakes her death after running in front of a car. Meanwhile, Kehaar decides to leave the warren for good with his new mate Gluck.
The Dark Deal (English-German translated title* Redstone Falls) Woundwort discovers that a human construction crew plans to bulldoze Redstone, so he and Vervain travel to the Warren of the Shining Wire. There, he tells Cowslip he will show him Redstone destroyed if Cowslip will give him his seer, Silverweed. Meanwhile, Hickory and Flax talk of revolt against "Wheatstalk" while Marigold races to Watership Down to warn Hazel and the others of Woundwort's return and they all race back, saving the warren. The wandering Campion stumbles across a new warren, Darkhaven, populated by savage rabbits who await the prophesied return of "the Dark One", and becomes their chief after he defeats their strongest warrior, Granite, winning the respect of a tough doe named Spartina.
Darkhaven (English-German translated title* Magic) Woundwort, Vervain and Silverweed arrive at Darkhaven, just in time to meet up with Campion. At the same time, Hannah goes off to meet up with the hedgewizard in order to learn magic so she can help her friends. Woundwort and Campion agree to join forces once more, while Vervain doubts that Campion can be trusted. Silverweed tries to look into Campion's heart, but he cannot because of the Black Rabbit of Inlé's curse. Woundwort feels empathy for the scarred up rabbit and accepts him, despite Vervain's displeasure. Blackberry and Primrose head towards Darkhaven. Hazel leads the others and manages to rescue Primrose, but Blackberry is captured.
The Eyes of Silverweed (English-German translated title* An Unfair Due) Silverweed traps Fiver in a twisted dreamworld illusion, allowing him to invade Fiver's mind and see through his eyes to learn the location of Watership Down for his master Woundwort. Fiver manages to fight off Silverweed's hold, but not before Silverweed deduces that Watership Down is "in the high hills, near a lone beech tree." Hazel realizes how dangerous Silverweed is, so he and the others journey to Darkhaven with the intent of kidnapping him. Meanwhile, Campion and Blackberry have the same idea, whilst Granite becomes Woundwort's new second-in-command when he challenges Vervain to single combat. Vervain forfeits rather than face the stronger Granite and then gets it back by cheating. Fiver gets inside Silverweed's head and the mystic decides to go with Hazel to Watership Down. Silverweed happily to be free at last.
The Spy (Same in both languages*) Bigwig uses Silverweed's influence to turn Hawkbit and Dandelion's original ideas against them when they attempt to slack off. Spartina is sent by Woundwort to befriend Hazel and the others and act as a spy for him. She fakes injury in order to be taken in by them. However, Silverweed soon learns of her real objective. Spartina tells Granite that if she does not return to Darkhaven by the next full moon, Granite is to kill Blackberry. Blackberry is chased by Granite, but the male gets injured and the doe helps him. Vervain has her punished for showing mercy. Spartina is enraptured with Watership Down, She doesn't know what to do after having seen it with her own two eyes and she fell in love with Bigwig.
The Betrayal (English-German translated title* Campion's Betrayal) Spartina soon gets found out by the other Watership Down rabbits and she confesses everything, even admitting putting Blackberry in danger. Silverweed allows Bigwig to see into Spartina's heart, but the male is frightened by her feelings for him and runs off. Granite attempts to help Campion and Blackberry escape out of gratitude. Silverweed sees a vision involving Hannah's future, but refuses to admit it. After finding out of Spartina's betrayal, Woundwort uses her and Blackberry to make Campion confess where Watership Down is and to lead his army into battle there. After Fiver's vision, Hazel knew the time is come to stop the enemy at once.
The Beginning of The End (English-German translated title* Hannah's Big Achievement) The Watership Down rabbits prepare for the last battle with Woundwort, once again gathering their animal friends to aid them and setting up traps around the warren. Scree takes Kehaar's place as the sky watch while Blackberry, Spartina and Campion plan their escape from Woundwort.
The Magic (English-German translated title* The Last Battle) It's time to end the war once and for all. Both sides collide and there can be only one winner. After the first attack, both sides are injured and weakened, but they must keep fighting. Hazel tells them he'll stay and fight while the others escape to a new warren, but the warren refuses to leave their leader. Bigwig also goes one on one with Woundwort and Hannah plans to use 'the magic' to finally be rid of Woundwort forever, but Silverweed knows that a high price must be made to use it. So he plans to use it, instead of Hannah. Watership Down is saved at last.

 • Series 3 Episode Titles Error Because the only country in Europe which aired the third TV series was Germany, the fan site Thank U Stars provided translations of each episode title directly from the German titles. However sites like play.com and tv.com have found and used the German translated titles and not the official ones found on the DVD releases or on screen as they appear at the beginning of each episode.

Unproduced episode


According to the official Watership Down TV series website (which is now closed) Series 2 was supposed to have had an episode produced called Dandelion's Big Story, in which he would tell a story to the younger rabbits, with the roles of El-ahrairah, Prince Rainbow, etc. played by the Watership Down rabbits, while Hazel and Bigwig went to Nuthanger Farm on a raid. However, the episode was never produced and was instead replaced by Bigwig's Way. Even so, the episode title and synopsis managed to find its way on to the 14-disc Region 2 DVD set by Entertainment Rights and Universal, where it replaced Bigwig's Way. The episode itself was oddly placed, on a disc with the episodes that preceded Series 3.

Soundtrack

The official soundtrack for the series was produced by Mike Batt with the aid of the Royal Philharmonic Orchestra. He had also gathered an array of stars to provide their voices for some of the songs. As well as Stephen Gately performing Bright Eyes, Art Garfunkel who had sung Bright Eyes for the film sang When You're Losing Your Way In The Rain, Cerys Matthews from the group Catatonia performed Thank You, Stars which was used in the series as a romance theme for Hazel and Primrose and Paul Carrack from the group Mike + The Mechanics performed Winter Song, though the song wasn't used, an instrumental piece was in the Winter on Watership Down two parter. Mike himself sang for the soundtrack, performing the song The View From A Hill which oddly enough was used in the series, but only in the German version and sung by an uncredited singer, and British voice actor Gary Martin provided the narration for the story of Frith's Blessing for the original release of the CD soundtrack, though in the TV series, it was Dandelion who told the tale of Frith's Blessing.

The soundtrack has just recently been re-released as part of the Mike Batt Music Cube released in December 2009 by Dramatico Records. However only the orchestral pieces are on the CD and none of the recorded songs are present, probably due to copyrights involving many of the guest singers and their record labels[citation needed] and perhaps due to the death of Stephen Gately. The re-released soundtrack has recently became available separately from the Cube in a 2 CD set, along with the soundtrack to the film Caravans

International television

United Kingdom

  • CITV (1999-2000)

Republic of Ireland

  • TG4 (2000-2005)
  • RTE Two (2005-2011)

North America

  • YTV (Canada only)

Differences from the novel

Although the story was broadly based on that of the novel, with most characters and many incidents retained, there was an increasing divergence as the series went on, and in later episodes especially some storylines and characters were entirely new.
  • El-ahrairah's name was shortened in the series to El-ahrah.
  • Kehaar, in direct contrast to the book, severs his gull-like instincts and becomes attached to the Watership rabbits, even pushing aside his own kind at one point.
  • Woundwort's backstory was altered to include a connection to a warren called Darkhaven.
Two warrens that did not appear in the original book were added: Redstone and Darkhaven. The Redstone warren was dug beneath the remnants of an ancient Celtic stone circle by a band of regular rabbits, but was invaded by an Efrafan patrol. The Darkhaven warren was located beside a burning tire yard with a large pit where the rabbits, extremely vicious in nature, would battle for the position of Chief Rabbit.

Notes

  • Bigwig's motto for the Owsla is "Who Dares Wins", the motto of the SAS. The phrase was also used as an epigraph for the first story in Tales from Watership Down.